Here’s the thing about being a poet. I always love the next poem that I’m writing. Then I read a poem by a new poet like Rebecca Dunham and I think, Oh, I’ll never write anything that good. I should quit. Then, time passes, just a few hours usually, and I think, OK, I’m going to write a poem like that, and I’m off writing again.
Here’s the poem from the Poetry Daily site, www.poems.com
Curator Of Fruit
—Isabella Dalla Ragione, arboral archaeologist
It is the old women I love
most, the remembered
piles of pear, plum, apple,
cherry, peach, medlar,
& quince that they cellared
beneath their nuptial beds,
where it was cool. How I want
to possess the smell
& taste of all that's past,
to graft scion & rootstock,
bind them tight. I desire
life itself, to turn my land
heavy with musked
orbs of imperfect fruit.
A rutted road thrusts over
potato fields to the Fiorentina
tree, black-freckled pear,
its bark split & gowned
in a lichen intricate white.
The life I've chosen is not
my own. I know that many
could say the same: the trees,
blushing old women.
It is no cause for complaint.
Marriage is a stony bed,
is want. Inedible flesh
bagged in its spotted skin,
the sap's inexplicable rise
to sky, & early morning, love
heavy with the smell of winter
pears, firm & crisp & cold.
Rebecca Dunham
There's a note attached which says: ""Curator of Fruit" is indebted
to John Seabrook's article on Isabella Dalla Ragione in The New
Yorker, September 5, 2005."
There is a great review of Rebecca Dunham’s book, The Miniature Room, here.
Here’s the poem from the Poetry Daily site, www.poems.com
Curator Of Fruit
—Isabella Dalla Ragione, arboral archaeologist
It is the old women I love
most, the remembered
piles of pear, plum, apple,
cherry, peach, medlar,
& quince that they cellared
beneath their nuptial beds,
where it was cool. How I want
to possess the smell
& taste of all that's past,
to graft scion & rootstock,
bind them tight. I desire
life itself, to turn my land
heavy with musked
orbs of imperfect fruit.
A rutted road thrusts over
potato fields to the Fiorentina
tree, black-freckled pear,
its bark split & gowned
in a lichen intricate white.
The life I've chosen is not
my own. I know that many
could say the same: the trees,
blushing old women.
It is no cause for complaint.
Marriage is a stony bed,
is want. Inedible flesh
bagged in its spotted skin,
the sap's inexplicable rise
to sky, & early morning, love
heavy with the smell of winter
pears, firm & crisp & cold.
Rebecca Dunham
There's a note attached which says: ""Curator of Fruit" is indebted
to John Seabrook's article on Isabella Dalla Ragione in The New
Yorker, September 5, 2005."
There is a great review of Rebecca Dunham’s book, The Miniature Room, here.
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